
The Marriage Plot by Jeffrey Eugenides
My rating: 4 of 5 stars
In the days since I finished this book, I’ve been struggling with what to say about it, because I want to do it justice, and there’s too much to say.
But, I just read an interview with the author, and decided I will let Jeffrey Eugenides himself articulate why the characters of this novel–private-school kids who do things like major in English or religious studies–are worthy subjects:
“…when you think about your 20s…. Everything was at such a high pitch. Intellectually, you’re learning an amazing amount, reading an amazing amount, and you’re discussing these books with your friends. That’s not always the case now, when we seem to read more solitarily, and maybe discuss our reading now and then. But that time is kind of a hothouse of reading and talking. Then that gets all bound up with perhaps the first great love affair that you’ve had or the most intense desire that’s unfulfilled that you’ve ever gone through. College is full of all of that. You’re old enough to make decisions, to be on your own, and yet you’re totally confused. It was easy to re-enter that atmosphere, and I enjoyed having characters who were intellectually fully formed but also unsure of themselves, confused, and passionate about what they thought and who they loved.”
Quickly, I will also add that, despite my own similarities to the collegiate experiences of the heroine (who finds herself, to her chagrin, being asked to deconstruct literature and language in a semiotics/literary criticism course, when the real reason she’s majoring in English is simply that she loves to read), it wasn’t until the novel began to follow one of her male suitors, Mitchell (based loosely on the author), on his spiritual/religious quest, that I really started to get drawn in.
As a novel that is (very loosely) formed around the structure of a Jane Austen-era plot, there’s a heady level of referentiality that bookish types will especially enjoy. (And, ironically, it was this very writer whose first novel, The Virgin Suicides got me excited about contemporary literature and indirectly led me to become an English major myself).
The one mild criticism I have with the book, and I’m not even sure it’s a criticism, is that I’m not sure why the author chose to set it in the 1980s (other than the fact that this was his own collegiate era). I never felt that it was entirely necessary to the story for it to have taken place in the Reagan era.
One thought that crossed my mind, however, is that for Eugenides to create the characters (and place and time) that shape the arc of the narrative, he needed them to write and receive actual letters, and for those letters to take some time (weeks or months, in Mitchell’s case, as he treks across Europe) to get delivered and received.
There’s also the possibility that he chose the 80s to create sympathy for the other major male character, who suffers from mental illness–because, back in the 80s, so much less would’ve been known about how to diagnose or treat it. But almost everything seemed as if it could have been taking place today.
(See? I actually can’t just let the author speak for himself like I said I was going to. There’s still so much more to say, too. But I will leave you here so you can go read the book yourself.
There.
No more talking from me.
Now go.)
(Or if you’ve already read it, please tell me your thoughts below).
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